
London, England - Wednesday, March 28, 2001
Landed at Gatwick Airport around 9AM local time and Alice met me at the gates. Loopy from the trip with the biggest suitcase on record I'd ever stuffed trailing behind me (thank the lord for the wheels), I made it somehow to the rental car place and got situated. Oddly enough once I got into the car the strangest part was not getting used to driving on the left-hand side of the road, nor shifting with my left hand but moreso just sitting up so high and in such a tiny car. I drive a new model VW Golf in the states and compared to my car this felt like a cookie tin. It was a Vauxhall Corsa, some sort of blue-ish color I think.
London has no stop signs. I mean, if there is an intersection, it's a traffic light. And since the city isn't on a grid, there is little use for stop signs. It's either a traffic light or just a small street going on to a larger one in a "T" shape. And in place of a lot of intersections of course they have roundabouts, or ring roads, which I think are brilliant. "Big Ben, Parliament..."
Slept all afternoon and went to a club night called Candy Box somewhere near Leicester Square - the club itself was sweet but the best part of it all was afterwards. Alice had left early and her friend Tanya walked me to the bus stop to get the night bus. Her bus left early so I waited around for the 38 back to Islington and this guy walked up and started talking to me. A little guy, dark skin, looked Hispanic but had an English accent. He was dressed in a big puffy Gap jacket and was wearing this backpack that looked like it was full of books. We started talking about clubs closing too early in London and the like but all I kept thinking about was what the fuck he could have had in that backpack. The guy was out, albeit on a Wednesday night, but he was out and he was full of drink and it was 3AM, but he had this huge backpack on. I was the one supposed to be loaded down with all the gear.
"Hey man - do you want to go and get a drink?" he asks.
"I dunno where the hell can we get a drink at 3 in the morning on a Wednesday?"
"I know a place. Pepe's. We will go to Pepe's. You'll come?"
"Bout it bout it," was my response, which solicited both a wry face and a friendly motioning wave to follow him.
So we leave. I learn that he's from South Africa, name of Sasha. We retreat to an alleyway and turn corner after corner. I think I would have been worried in the states because he could have had a gun or something, that he was a freak, but he was a little guy and I was in a perfectly (beautifully) gunless country, so I kept on. Finally we came round a corner and there were people walking the other way. I was having trouble staying on either the sidewalk or the street, and there's little distinction between the two sometimes on the back streets. "Pepe's-you know where we fill find Pepe's?" he asks of passers-by. Finally someone passing offers up and points to a door. A group of four is gathered outside and finally a huge Hispanic guy opens the door and surveys the crowd. Seriously this guy was like a foot taller and wider on either side than any of us. He says nothing but finally points at everyone but Sasha and I and sends them upstairs, then turns to close the door as he steps in. "Wait a minute," Sasha argued "I've been here before, mate - I was here last week. You saw me here. You didn't work the door but you were here." The guy just looked at him. "I don't know you-you don't get in." And he closed and latched the door Emerald-city style.
Sasha stepped back onto the street, one foot still on the curb, eyes still fixed on the door. He took a drag off of his cigarette and fired it at the door. "Fuck it, Fuck this - Fuck him. I know another place. They play better music there."
We stepped out onto a bigger street and there was a garbage truck picking up all these bags of trash on the street. I saw these two guys running towards us and I stepped aside, only to watch the two of them run and jump, careening into the bags of rubbish. The most fascinating thing was that the guys picking up the trash didn't even say anything, didn't notice or didn't care, and these two guys got back up and ran halfway up the block again, as fast as they could with their smokes hanging out of their mouths and long hair blowing in the wind, diving headfirst into all this trash. One of them flipped over and landed on his back even. Finally they pissed off the trash man and he grabbed one of them by the leg and dragged him off the pile and into the street. I think they got filthier by landing in the street than they did hanging out in all that trash.
We turned a corner after a few blocks and Sasha headed into a doorway and up a stairwell. I could hear loud dub music coming from an upstairs room but I didn't see any windows, and there was definitely no address or name of the place, whatever it was. A black woman with long dreadlocks stood at the top of the stairs and Sasha stopped in front of her. "Five pound admission, please" Sasha dug around in his wallet, trying hard to keep his balance between whatever he had been drinking and his backpack full of bricks. He paid the woman and started in but I was still trying to get his attention. I didn't want to spend the five pounds as I knew I'd have to watch the tour expenses. He motioned to me and I started to speak ... now the lady at the top motioned me "Come ahead, it's good. You will have fun. He has already paid for you." It was all I needed to hear and I pushed past to follow him in.
It was a tiny room, very little light. Just a light in a corner behind the "bar" which was no more than a few bottles in the back and a refrigerator and jambox behind a counter. We stepped up to it and a guy came from across the room, which was populated by no more than about fifteen others, and stepped past the side of the bar and came around. "How many?" he asked, to which Sasha replied "Two." The guy whipped out a bottle of vodka and poured two shots into plastic cups, then topped them off with cola, and we exchanged him three pounds each for them. A couple of chairs sat against the wall so we lead ourselves over and he finally took his backpack off. I think after all that walking I finished mine off in about two minutes so he went back up for another.
He was talking to the bartender for much longer than just to order drinks, though - and the bartender pointed to his right, to a doorway just inside where we came in. Sasha nodded and stepped inside of the door and closed it behind him. He returned a couple of minutes later and walked back over to me, kneeling down to unzip his backpack and began digging through it. "How much money have you got?" he asked. I knew the right answer to this question, going nowhere near my wallet, only to pull about a pound and a half out of my front pocket. "Not much - maybe a pound fifty? Only enough for the bus, I think." He looked around and again went to the backpack, frustrated. "I need about ..." he paused "I need about five more pounds to get some coke."
There is a certain realization and sense of relief when one realizes that he or she is in the wrong place and with the wrong folks. It was a camera shot out of a movie where the scene turns personal and the main character looks straight into the camera as if to share a moment with the viewer. I turned to my right, picked up my cup and drained the last bit of Vodka Coke, then stood up. "We'd better go." Sasha looked behind him, still crouched over his backpack, then turned, zipped it up and threw it over his back.
"Which way is the bus?" I asked when we poured onto the sidewalk after a hasty retreat down the stairs. He stopped and stared around for a second, then pointed up the street, obviously turning to head another direction himself, which was fine with me. I stepped off in that direction and turned to shake his hand. "Alright Sasha - you take care. I gotta make this bus," and ran off in the direction he had pointed. Sure enough when I got there the number 38 pulled into the stop. I got on the bus and never looked back.
Brighton, England - Thursday, March 29, 2001
Gabrielle's Wish + Capper Pass + Belasco + The White Papers @ The Lift
Woke up hung over and hating myself for not taking care of that before I went to sleep. Usually I drink about a pitcher of water before I nod off when I'm trashed like that, but this time I passed out right when I got in. Bother.
Not much to say about Brighton. The weather sucked, the show was terrible, my stomach felt like hell and I got paid £5 for the show. This lady bought a record and asked me to come and play at her home in Eastbourne, to which I could only reply "tonight?"
London, England - Friday, March 30, 2001
The Aislers Set + Comet Gain + The Chemistry Experiment + The White Papers @ Bull and Gate
Needless to say a much better day in the city. After a much needed late-night phone conversation with my girlfriend Tera back in the states I slept most of the day and headed out to the Bull and Gate around 6PM. I forgot how early the shows in England begin and end and when I arrived around 6 everyone else had already soundchecked and the staff were starting to wonder if I'd turn up or not. There were about 500 people at the show and I thought The Chemistry Experiment were the highlight. Probably because they were friends of mine and yet I'd never seen them play live.
John Jervis of Where It's At Is Where You Are' Records and I talked each others' ears off at the merch booth and a big crew headed out to the Betsey Trotwood afterwards. I played my first overseas show ever in there so I was much excited to return. I went there by myself but somehow ended up leaving with a crowd of about ten folks, some of the chem experiment kids and friends. We retreated to Lewisham, in South London very very far away from where I needed to be. I knew I could catch a night bus back to where I needed to be so it was risky business but I tagged along all the same. We hopped in cabs and ended up at the flat of a guy named Nick Dawes, who had this incredible record collection that just rocked my world. I thought about stealing a bunch of them but he was a really good chap and I don't think I remember how to steal anything so I left it.
When we woke up in the morning everyone was hung over except me. I had taken the precaution of escalating Nick's water bill by drinking gallon upon gallon of water before I went to sleep, mostly in memory of the night before. Steven Kirk made the comment about how when he's hung over, he always just feels hungry, so he spends all of his money on food all day and can't drink the next night. The man speaks the gospel. On the train back to King's Cross I watched him take out a candy bar, ice cream on a stick and a bag of jalapeno chips, all with nothing to drink. The diet of champions.
Oxford, England - Saturday, March 31, 2001
Shouting Myke + Congress + The White Papers @ The Point
Radiohead Radiohead Radiohead. Oxford isn't quite as proud of its most famous export as is the more northern city of Liverpool, but you still get the vibe there and that's most perfectly alright. Alice and I meet up with John Jervis in the city centre and I soon realize that the address I have for the club is absolutely incorrect. Luckily John is on foot for the time being and is a suitable escort. We have lunch at a pub and great conversation about rock music all over the spectrum, including John's theory on why Kiss kicked out Peter Criss: "Stop having kitten makeup, and you'd still be in a rock n roll band."
Parking in Oxford is like pulling teeth. The streets are really small and unaccomodating. I was pulling through an alley when I got to a spot where one car could barely get through, then this shitty little white car started coming the other way up the alley. It pulled over to the side and the driver, an early 30's bloke with lots of stubble and a clean-cut set of bands across his forehead leaned out of his window and shouted out: "You could get a bus thru there, mate!"
The Point was a really nice venue, two stories on a corner in a roundabout. The engineer/promoter was Mackie from Shifty Disco, a great label in the UK for indie rock. The other bands were local, some kids from the area, pretty ferocious pop-punk stuff. It wasn't a perfect billing but about a hundred or so kids poured into the show room when I started playing and watched the entire set without talking. I sold a few records and we headed back to Birmingham to stay with Alice's father, who is soon to become the real story here...
Birmingham, England - Sunday, April 1, 2001
Breakfast
Sounds of motion, sounds of the morning. I awake upstairs at Alice's father's flat after a surprisingly good night's sleep. The sound of an excited man traipsing about and loud classical music in stereo from the upstairs to the down. I pulled the covers off of me but still couldn't move. I got in the shower but I still couldn't move. The drive to Glasgow was threatening.
Lewis Braithwaite is a lecturer. He is an expert on British architecture and an aficianado of the more classical cities like Glasgow, so a history and architecture lesson at the breakfast table was in order. He is a slight man, maybe 5' 7" tall, stringy grey hair, wild eyes and a man who spends very little time either thinking or even breathing inbetween sentences. We talk more about Glasgow and he trailed off into the other room, returning with a black cat.
"Yes, yes - you see the dead odd thing about this cat here ... well we lost him there for a few days. Ran right out the door and we'd not seen him in a week. He returned here to our doorstep and well - I suppose the best way you could describe him was .. well... shagged out,' I suppose."
Glasgow, Scotland - Sunday, April 1, 2001
Ruby + The White Papers + Squander Pilots @ 13th Note Club
Everyone had a different idea of how long it would take to get to Glasgow from Birmingham. John Jervis said 10 hours. Lewis Braithwaite said 8 hours. We thought it would take 6. We made it in 5.
Glasgow was cold. I had been wading through throat problems the night before, which isn't that big of a deal because my voice is more nasal than it is throaty, but all the same I had to watch the cold. I must have walked around for an hour and a half looking for a scarf that didn't make me look like a puss before Alice finally found one. So now I was styling in a wool-neck jacket and jeans with a scarf covering up the bottom half of my face. All I needed was a hoodie hat.
The 13th Note is a two-story affair situated on the banks of the Clyde River in central Glasgow. We showed up around 4 in the afternoon and there was a rally going on in the upstairs part. A young member of the Scottish Parliament was holding a meeting with townsfolk in support of legalizing Cannabis. He was situated in the back of the room, standing on a table, the room dimly lit like a club will always be, screaming at the top of his lungs about the foolishness of keeping Cannabis illegal. The crowd was packed into every crevice of the upstairs room and shouted along in thick Scottish tongue whenever he would raise his fist. Intense, all of it. I don't smoke but the guy had a point - a veritable blackboard of facts and figures coming straight off the top of his head with a raw intensity I had to take a shine to.
So the first band played. It was only later on, during my set, that I came to the realization about a curious fact with their set: all of their songs ran together, and I was outside when they finished their set, so I never actually heard the crowd cheering or applauding a song. This was to become paramount after my first song, because right as I finished it, I was greeted with a bellowing "whoaaaaa!!!" and a smattering of applause. I was bewildered to say the least. The room was dark - full of maybe 100 or so people but pretty dark, and the stage lights were bright as all hell, bright and warm enough for me to play in a t-shirt, which I hadn't done on the entire tour. So I kept on and after every song I endured the same "whoaaaaa!!!" - always uncertain as to whether I was receiving applause or getting heckled. I played my standard five-song set and left the stage under the same veil of bizarre cheers and pushed my gear over to the side.
Ruby took about twenty minutes to set up and a more interested crowd of 150 or so folks packed up to the front. She started chatting with them in a really crisp Scottish accent "So here we are again," "Ruby it's been to fucken long, let's hear it," "Ah, pity it's shite then isn't it?" I stood against the back wall, not eager to hear the first song or the last song or anything like it - I just wanted to hear what HER applause sounded like.
Ruby's band was a three piece - herself on vocals, one guy on stand-up bass and programming, and one guy on guitars and keyboards. It was uninspired to say the least but the framework was there. They ended the first song and as the notes trailed off I pricked my ears:
"whoaaaaa!!!" and the same smattering of applause.
All was well.
Paisley, Scotland - Monday, April 1, 2001
Day off!
Sunrise (ha) in Paisley at Alice's aunt and uncle's home after a night of somewhat comfortable sleep, traumatized by Alice's chain-smoking aunt knocking back smoke after smoke before we went to bed. We were all sitting around in the living room around midnight or so talking about life in general, Alice catching up with her aunt and uncle, family business. But I could nary participate in the conversation, instead watching in horror every time her aunt would reach for her smokes and lighter, cigarette after cigarette. And mind you these weren't Nat Shermans she was smoking, these were bottom-of-the-barrel cheap convenience store stogies, the smell of which makes car exhaust a comfortable escape. Hideous. I could only pretend to be falling asleep on the recliner to combat the stay-awake-for-the-company syndrome. Sweet people, though, I must add.
We head back into Glasgow for the day, with plans to head down into England to stay with Alice's friend Emma for the night in Preston. Not much to do in Glasgow but I did take some really choice pictures and bought some pants I could barely fit into and I'm still afraid to wash.
Arrived in Preston around 6PM and met up with Emma at her flat. She works for one of the museums there in town and her knowledge of Preston area history is unparalleled. We get a fascinating history lesson and then take off to go and get drunk so we'll forget it all. Her friend Allen explains the college influence on the town to me (pubs painted yellow and purple) as we head out to a Tandoori restaurant and Emma points out more poor choices by town council to tear down historical landmarks, including a towering bus station that looked WAY out of place in such a small town. I think they were going to build a shopping mall in its place so they can sell more Levi's.
At dinner Allen tells a story about a pet rat that he had a while back named Jeff, and how he used to feed his rat whatever he was eating for dinner, and that it would even drink beer our of his cup. I ask him if he ever made clothes for the rat to wear and he just looks at me, confused. "You know, like little crochet sweaters and stuff?" My lesson in battling British humor is ongoing.
After a long conversation about Soundgarden at Emma's flat and a lot of red wine, we retire to mats and mattresses around 12:30. Alice takes the futon and I take the floor, unassuming and unaware of what the night would bring.
I woke up around 3AM for little or no reason at all, flipped myself over and tried to go back to sleep. I became acutely aware that a new sensation was coming over me that I hadn't yet experienced in this country: heat. It was really fucking hot in the apartment, severly hot and severly uncomfortable. I threw off the blanket. I got cold. I replaced the blanket. I got hot. I was sleeping on the floor. It was hard. It was getting harder and it was getting hotter and colder and I can't sleep without a blanket because I'm afraid of monsters. Ok there, I said it. Yes I'm afraid of monsters. I absolutely cannot sleep without a blanket of some kind and my only realistic option in this place was to do so. Too bad. I kept it on. One hour passed. Two hours passed. Three hours passed. Daylight was coming. I tossed and turned and I turned and tossed. I drank water. I drained the water. I drank more. I drained more. I went through cycle after cycle and still no sleep. I was getting hungry. I also can't sleep when I'm hungry. I can definitely sleep when I'm drunk, though, so I started to look through the kitchen to see if there was an open bottle of wine. I shook myself and realized that was a really stupid idea. Then I remembered:
Melatonin.
I brought it for the plane. I brought it for the plane because I need it for the plane. The catch today was that it was in the car. And the car wasn't parked in Emma's flat. It was outside. See, in America this would be really easy because I could just open the door and leave it open and retreive my bottle of pills from the car and return to the flat. But here in England you have to have a key to open the door, even from the inside. And I didn't know where that key was in Emma's flat. Beyond that, I certainly didn't know where it was in the dark. I found a set of keys. They were for the car. Ok, mission number 1 accomplished, but still no keys for the door to get outside. I rooted around in the kitchen a bit more, christ making so much noise I must have awakened half the neighborhood. Found the keys, got the pills, got them in and got to sleep. Never again.
Nottingham, England - Tuesday, April 3, 2001
Juno + San Quentin + The White Papers @ Old Angel
No Sherwood Forest. That much I remember. If there was one thing I wanted to see it was that. Got to the club fairly early and wanted fish and chips in a bad way. Place next door was closed. Advised to walk down around the block to place #2. Closed. Found three more places, closed. Finally a small shop - got scampi and fueled up.
The Old Angel was a pub with an upstairs room for the shows. This is by far the best format for shows cos people can drink and talk really loud downstairs and ignore you from afar instead of talking really loud in the same room and ignoring the bands like they did in Brighton. Ouch!
The promoter was Anton Lockwood, who other Nottingham residents swore by and showed up to his gigs like fanatical followers, which I thought was beautiful. He was a really tremendous guy that stood about 5'6" and talked really fast and high-pitched, almost like someone on Benny Hill making fun of someone else. Super sweet guy, though. Donna Nicoll, who took photos of me at the Bull and Gate in London a few nights earlier, showed up with the prints and I remember was very impressed with my (apparently) old-school camera.
Juno was very off-putting (or so I thought at the time - see note below) and didn't watch either of the two opening bands. Actually they never came upstairs until they were ready to start, which was lame, I thought, not in my interest but because San Quentin, the band from London who played after me, had driven all the way to Nottingham to play with Juno. Maybe Juno were nice guys, maybe I got the wrong idea, but I left with a really weird vibe. (note 07/13/01: met Juno last night here in Houston. Suspicions were unfounded. I learned that they are a great bunch of guys and were most assuredly suffering from the same strange and antisocial vibes that I got on tour in England. Arlee (sp?) in particular is a beautiful and sweet man who has a most unfortunate broken hand at the mo but got it playing rock'n roll so he gets bonus points and a purple heart. Juno are good people - go and see them in your town.)
Emily from The Chemistry Experiment met us there and took us to the home of a guy named James for hours and hours of tremendous conversation and a clean place to sleep. I got hungry sometime during the night and he recommended I run down to the corner store for eats. I returned later with a cheese sandwich and a candy bar called the "Lion" which he was really excited about because I had never experienced one. He went on to explain to me that it was called the Lion because when kids would walk around with them in their pockets the candy bar would get warm and they'd retrieve them and break them in half, watching all the caramel and business pull apart like a lion's roar. I kept roaring while I was eating it.
Sometime during the conversation I recall James saying something which prompted Emily to respond "Ha, James, that's just because you're a forensic scientist," to which of course we all laughed. And then I looked at James seriously and he smiled and took a drag off his cigarette and laughed, noting my puzzled look. "Really, yeah I am a forensic scientist."
Of course the first thought in my head wasn't "Oh shit now I'm going to be nailed for that murder I committed this afternoon," or anything like that. My first thought was "Holy shit, this guy is a forensic scientist and he's up at 3:30 in the morning on Wednesday night with us getting absolutely trashed. I brought that up and his response was undeniably science:
"Well I look at it this way, mate. I can stay out late and get pissed any night of the week, go into work the next morning with a straight face and a bit of a swagger and work all day. But I would never so much worry about buggering an investigation and letting a guilty man run for his crime, so long as I never get an innocent man convicted."
Science.
London, England - Wednesday, April 4, 2001
Slept all afternoon in London and headed out to a beautiful Turkish restaurant in the Angel district that night. It was a really narrow joint with a gorgeously medievil décor inside and long bench tables for folks to crowd into. We sat at a small two-person table near the wall unknowingly parked next to a damn American. Pah! Well not so much because she was American but because she was loud. It mattered not as the food was unbelievable and the wine poured itself sweet. Early night cos the next day was the start of me doing all this on my own...
to be continued...